El lugar, los Terrenos, los Trajes, los Toreros, las Cuadrillas, los Alguacilillos, todos son piezas fundamentales de la lidia y atractivos elementos estéticos que conforman el mundo del toreo.
LOS TERRENOS
Si se parte el radio del círculo de arena en tres partes, tendremos las tres zonas en las que se divide: Los Terrenos.
El toro se suele dirigir al centro de la plaza (los medios) que es la más tranquila. En esa zona suelen recibirle los toreros para que los encuentros sean más suaves y espaciosos.
Los Terrenos están relacionados con las querencias, es decir la zona hacia la que empujan los toros.
Suele ser común la querencia hacia chiqueros.
Puerta de toriles/
Chiqueros/ Raya de picadores/ Barrera/ Callejón
Medio/ Tercio/ Tablas
LOS BURLADEROS
El matador que va a lidiar el toro suele colocarse en el Burladero más alejado de la puerta de toriles.
Los peones se colocan en otros Burladeros.
Cuando sale el toro se le deja correr y se le cita a los Burladeros, donde se observa si embiste hacia abajo y con fuerza (signo de nobleza) o si tiene algún defecto en la forma de embestir o correr.
September 12, 2012
LOS AUTOBUSES DE LA E.M.T.
El autobús 14 de la E.M.T. (es el hermano cabroncete del 27) es el de los traqueteos que va por el paseo de la Habana y produce contractura en la espalda.
El autobús 27 es el de la vista panorámica de la Castellana como un portaviones que nos recoge a todos en alta mar.
El autobús 40 es el de los burgueses o enfermos mentales que atraviesan Doctor Fleming.
El autobús 70 (es el hermano mayor y pobre del 27) pero que tiene mucha experiencia de lo beneficioso y lo angustioso que puede ser la soledad sonora por Arturo Soria..
El autobús 61 es el de los pensionistas y jubilados, gente del INSS bordeando la Embajada de Estados Unidos.
El autobús 147 es de atracción y a veces lo tironea un loco desde la cuesta de San Bernardo.
El autobús 150 es el de los financieros y bien asentados económicamente y con casas de ensueño.
El autobús 1 es amable y recoge a todos porque va a Princesa.
El autobús 21 donde todo el mundo ocupa lugar y se echa a los carteristas por la borda ante la estatua de Colón.
El autobús 106 a Vicálvaro no había visto tanta gente pobre.
El autobús 27 es el de la vista panorámica de la Castellana como un portaviones que nos recoge a todos en alta mar.
El autobús 40 es el de los burgueses o enfermos mentales que atraviesan Doctor Fleming.
El autobús 70 (es el hermano mayor y pobre del 27) pero que tiene mucha experiencia de lo beneficioso y lo angustioso que puede ser la soledad sonora por Arturo Soria..
El autobús 61 es el de los pensionistas y jubilados, gente del INSS bordeando la Embajada de Estados Unidos.
El autobús 147 es de atracción y a veces lo tironea un loco desde la cuesta de San Bernardo.
El autobús 150 es el de los financieros y bien asentados económicamente y con casas de ensueño.
El autobús 1 es amable y recoge a todos porque va a Princesa.
El autobús 21 donde todo el mundo ocupa lugar y se echa a los carteristas por la borda ante la estatua de Colón.
El autobús 106 a Vicálvaro no había visto tanta gente pobre.
EL SUPERVISOR LABORAL, ADMINISTRATIVO Y SOCIAL
Le pediremos a Bishamon que proteja nuestros trabajos, que ganemos más de mil euros con ellos y que trabajemos en tiempo aceptable, y le pediremos a las consultorías que nos hacen los contratos, las nóminas y las cartas que no se burlen de nosotros en este campo de concentración del mercado laboral.
Es cierto que había gente en misa y que no estaba trabajando pero... cómo es posible que en un país así no podamos elegir a nuestros jefes en el lugar de trabajo.
En un mercado de bienes y servicios.
Democracia en el lugar de trabajo, que sustituiría a las institución capitalista del trabajo.
Control democrático de la inversión con debate en las empresas, que sustituiría a los mercados financieros capitalistas.
Los beneficios de la empresa también se reparten entre los trabajadores, no reciben un salario pactado, sino una parte de los beneficios. Los ingresos vinculados directamente a la productividad y al rendimiento diligente y eficiente del trabajador, a esta masa trabajadora.
Por eso mismo no es igual trabajar de mañana o de tarde, en turnos fijos o variables, en días laborables o festivos.
No habría oportunidad para la especulación financiera.
El dinero es la energía de la sociedad y el poder financiero la gestiona.
Es cierto que había gente en misa y que no estaba trabajando pero... cómo es posible que en un país así no podamos elegir a nuestros jefes en el lugar de trabajo.
En un mercado de bienes y servicios.
Democracia en el lugar de trabajo, que sustituiría a las institución capitalista del trabajo.
Control democrático de la inversión con debate en las empresas, que sustituiría a los mercados financieros capitalistas.
Los beneficios de la empresa también se reparten entre los trabajadores, no reciben un salario pactado, sino una parte de los beneficios. Los ingresos vinculados directamente a la productividad y al rendimiento diligente y eficiente del trabajador, a esta masa trabajadora.
Por eso mismo no es igual trabajar de mañana o de tarde, en turnos fijos o variables, en días laborables o festivos.
No habría oportunidad para la especulación financiera.
El dinero es la energía de la sociedad y el poder financiero la gestiona.
September 11, 2012
ISAAC DE BENSERADE (1674)
Minor but brilliant literary light of the courts of Louis XIII and Louis XIV.
He began visiting the Hôtel de Rambouillet, the literary centre of Paris in 1634 and wrote a succession of romantic verses that won him a reputation culminating in the sonnets controversy of 1649 in which Benserade´s sonnet "Job" was pitted against Vincent Voiture´s "Uranie" in a lively court debate over poetic style. Though Benserade was adjudged the loser, he became a favourite and was repeatedly called on to write libretti for royal ballets, a function he discharged with a wit often regarded by his court audience as daring and even impertinent.
Elected to the Académie Française in 1674, he was criticized in 1676 for his Metamorphoses d´Ovide en rondeaux.
He distinguished himself by his support of the candidacy of La Fontaine for the Académie and by his defense of the rationalism of Pierre Bayle, which the censorship threatened.
Besides his poems and libretti, he wrote several dramas.
He began visiting the Hôtel de Rambouillet, the literary centre of Paris in 1634 and wrote a succession of romantic verses that won him a reputation culminating in the sonnets controversy of 1649 in which Benserade´s sonnet "Job" was pitted against Vincent Voiture´s "Uranie" in a lively court debate over poetic style. Though Benserade was adjudged the loser, he became a favourite and was repeatedly called on to write libretti for royal ballets, a function he discharged with a wit often regarded by his court audience as daring and even impertinent.
Elected to the Académie Française in 1674, he was criticized in 1676 for his Metamorphoses d´Ovide en rondeaux.
He distinguished himself by his support of the candidacy of La Fontaine for the Académie and by his defense of the rationalism of Pierre Bayle, which the censorship threatened.
Besides his poems and libretti, he wrote several dramas.
THE TRIBE OF BENJAMIN
One of the 12 tribes of Israel, an ancient division of the Jewish people.
The tribe took its name from the younger of two children born to Jacob (also called Israel) and his second wife Rachel.
After the death of Moses, Joshua led the Israelites into the Promised Land and dividing the territory among the 12 tribes, assigned south central Palestine to the tribe of Benjamin.
Members of the tribe were separated when two separate kingdoms were established after the death of King Solomon (922 BC) and the territory of Benjamin was divided between them. Jews of the northern Kingdom of Israel disappeared from history after the Assyrian conquest of 721 BC and are known in legend as the Ten Lost Tribes of Israel. Benjaminites in the southern Kingdom of Judah were assimilated by the more powerful tribe of Judah and gradually lost their identity.
Modern Jews thus considerer themselves to be descendants of the tribes of Judah and Benjamin or are classed as Levites to indicate an affinity with the religious functionaries who at one time exercised the priesthood in ancient Israel.
Saul, the first of Israel´s kings, and St. Paul the Apostle were both of the tribe of Benjamin.
The tribe took its name from the younger of two children born to Jacob (also called Israel) and his second wife Rachel.
After the death of Moses, Joshua led the Israelites into the Promised Land and dividing the territory among the 12 tribes, assigned south central Palestine to the tribe of Benjamin.
Members of the tribe were separated when two separate kingdoms were established after the death of King Solomon (922 BC) and the territory of Benjamin was divided between them. Jews of the northern Kingdom of Israel disappeared from history after the Assyrian conquest of 721 BC and are known in legend as the Ten Lost Tribes of Israel. Benjaminites in the southern Kingdom of Judah were assimilated by the more powerful tribe of Judah and gradually lost their identity.
Modern Jews thus considerer themselves to be descendants of the tribes of Judah and Benjamin or are classed as Levites to indicate an affinity with the religious functionaries who at one time exercised the priesthood in ancient Israel.
Saul, the first of Israel´s kings, and St. Paul the Apostle were both of the tribe of Benjamin.
BELSHAZZAR
Akkadian BEL-SHAR-USUR,
Greek BALTASAR OR BALTHASAR.
Corregent of Babylon at whose feast the prophet Daniel, interpreting the handwriting on the wall ("MENE, MENE, TEKEL and PARSIN") foretold the destruction of the city (539).
Belshazzar had been known only from the Book of Daniel (chapter 5) and from Xenophon´s Cyropaedia until 1854 when references to him were found in contemporary Babylonian inscriptions.
He was the eldest son of Nabonidus, king of Babylon (555-539) and of Nitocris who was perhaps a daughter if Nebuchadrezzar. When Nabonidus went into exile (550) he entrusted Belshazzar with the throne and the major part of his army.
Belshazzar administered the government, his owen estates, and those of his father, though famine and economic setbacks occurred prior to his father´s return (c 540).
Belshazzar died after Babylon fell without resistance to the Persian general Gobryas (Oct 12, 539).
Greek BALTASAR OR BALTHASAR.
Corregent of Babylon at whose feast the prophet Daniel, interpreting the handwriting on the wall ("MENE, MENE, TEKEL and PARSIN") foretold the destruction of the city (539).
Belshazzar had been known only from the Book of Daniel (chapter 5) and from Xenophon´s Cyropaedia until 1854 when references to him were found in contemporary Babylonian inscriptions.
He was the eldest son of Nabonidus, king of Babylon (555-539) and of Nitocris who was perhaps a daughter if Nebuchadrezzar. When Nabonidus went into exile (550) he entrusted Belshazzar with the throne and the major part of his army.
Belshazzar administered the government, his owen estates, and those of his father, though famine and economic setbacks occurred prior to his father´s return (c 540).
Belshazzar died after Babylon fell without resistance to the Persian general Gobryas (Oct 12, 539).
RÉMY BELLEAU (1547-74)
Renaissance scholar and poet who wrote highly polished portraits known as miniatures; member of the Pléiade, a literary circle that sought to enrich French literature by reviving the classical tradition in poetry by the use of Greco-Latin themes, forms, and rhetorical devices. A contemporary of the poet Pierre de Ronsard at the Collège de Cocqueret, Belleau at first gained the patronage of the Abbé Chretophle de Choiseul and later of Charles IX and Henry III, who made him secretary of the king´s chamber.
He took part in a champaign against Naples in 1557 and from about 1563 lived at Joinville as tutor and counsellor to the Guises, a powerful Catholic family. It was the Château de Guise that inspired La Bergerie (1565-72), a collection of pastoral odes, sonnets, hymns, and amorous verse.
Belleau´s detailed descriptions of nature and works of art earned him a reputation as a miniaturist in poetry and prompted Ronsard to characterize him a a painter of nature.
His other poetic works include didactic verse; Les Amours et nouveaux échanges des pierres précieuses (1576), a commentary on exotic stones and their inherent secret virtues written in the tradition of the medieval lapidaries; La Reconnue (1577), a comedy in verse based on Plautus Casina; and a macaronic poem on the religious wars.
His erudite translations of Anacreon´s Odes (1556) won him the seventh seat or star in the constellation of the Pléiade, a name the group adopted in imitation of a group of eminent Greek poets of 250 BC.
(his collected works were edited an published in 1867)
He took part in a champaign against Naples in 1557 and from about 1563 lived at Joinville as tutor and counsellor to the Guises, a powerful Catholic family. It was the Château de Guise that inspired La Bergerie (1565-72), a collection of pastoral odes, sonnets, hymns, and amorous verse.
Belleau´s detailed descriptions of nature and works of art earned him a reputation as a miniaturist in poetry and prompted Ronsard to characterize him a a painter of nature.
His other poetic works include didactic verse; Les Amours et nouveaux échanges des pierres précieuses (1576), a commentary on exotic stones and their inherent secret virtues written in the tradition of the medieval lapidaries; La Reconnue (1577), a comedy in verse based on Plautus Casina; and a macaronic poem on the religious wars.
His erudite translations of Anacreon´s Odes (1556) won him the seventh seat or star in the constellation of the Pléiade, a name the group adopted in imitation of a group of eminent Greek poets of 250 BC.
(his collected works were edited an published in 1867)
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